Khia's "My Neck, My Back (Lick It)" is such a dynamic and challenging song that it's literally impossible to write about (at least in the United States). In fact, parts of this text have been redacted by the government, who invoked the infamous Too Soon Clause, an obscure part of the USA-PATRIOT Act of 2001, to legally censor the apparently offending passages. So I hope this will not be too difficult to read.
For decades, the Secret League of Wealthy Ass Female Feminists had conspired to make a massively popular song about having their CENSORED CENSORED. They had met severe resistance, however, from the pious yet hypocritically lecherous Super Sausage Team of Money Printing Gentleman, who thought discussing CENSORED CENSORED was in poor taste. Ironically, this was the same Team who allowed The Beatles' "Please Please Me" to be a huge hit in 1963. In that song, John Lennon sings, during the bridge, "I do all the pleasin' with you / It's so hard to reason with you / Oh yeah, why do you make me blue?" Clearly, Lennon is singing about how he CENSORED CENSORED on his female love-interest who refuses to CENSORED, leaving him with an annoyingly painful case of CENSORED CENSORED. Within days of its release, teenage girls around the world were screaming and CENSORED CENSORED for their favorite Beatle no matter where they were. The Super Sausage Team of Money Printing Gentleman was please please pleased (forgive the pun), and they decided to print more money and get the older gentlemen on the team to public slander the lovable Moptops to fulfill the dynamics of Marx and Hegel's dialectic.
Fast forward to 2002. The United States was still emotionally reeling from the terrorist attacks in New York, Virginia, and Pennsylvania on September 11, 2001 that took over 3,000 lives. A little over six months after the tragedy, the Secret League decided to stick it to the man while he was down, with his massively CENSORED CENSORED CENSORED metaphorically CENSORED in New York City. Their secret plan: release Khia's "My Neck, My Back (Lick It)" to a wounded public that needed to forget about the tragic events of that day and hear a brilliant, witty song about a woman demanding that her CENSORED and CENSORED get CENSORED.
The plan worked effectively. Khia's song, which begins rather minimally with simple percussion and speakerbox-rattlin' bass, quickly transforms itself into serious, polyrhythmic, sexual anthem Marvin Gaye would have been jealous of. Khia's insistence that her man "put your neck into it" and "to suck it off til I shake" is completely direct. At first, it appears that she is demanding that this objectified male (much to the chagrin of the Super Sausage Team of Money Printing Gentleman, who had historically only been concerned about their own pleasure) lick her neck, her back, her "pussy" (i.e. feline, or kitty cat), and her "crack" (i.e. her stash of cocaine-infused with baking soda-rocks). But that makes no sense. Cats clean themselves by licking. Cats already hate being washed by humans, tongue or no. And why would you lick a crack rock when you're supposed to smoke it (or so I've read) to get the desired two-minute high? As the song slowly builds, it becomes apparent what she is really telling this soon-to-be-duped Lothario is to CENSORED CENSORED CENSORED and CENSORED CENSORED CENSORED CENSORED until she's "makin' faces 'n stuff." This brings a whole new meaning to the phrase CENSORED CENSORED. When she tells her male love interest to "get on your knees," she proceeds to liberate all CENSORED from the tyranny of the Super Sausage Team which had insured that rap music over the previous fifteen years would be male-dominated. While two big CENSORED in the CENSORED were nothing but CENSORED in the heart of CENSORED CENSORED CENSORED, Americans of all shapes and genders of consenting age could now get licked wherever they wanted and get on their knees and lick whatever they wanted, except for that kitty cat. There's nothing more embarrassing and potentially incriminating than a face full of claw-marks!
Redacted by CENSORED CENSORED.
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